Gerard Malanga

From 1963 to 1970, Malanga stood at the epicenter of one of the most creative periods in American art history. Working side-by-side with Andy Warhol – who originally hired him for his experience in silkscreening – Malanga quickly became an instrumental force in Warhol’s work. On his very first day at The Factory, he and Warhol created the now-legendary Elizabeth Taylor works, marking the beginning of a seven-year partnership that would redefine modern art and produce some of the most enduring icons of the 20th century.

As Warhol’s collaborator, Malanga was instrumental in the creation of the famous three-minute Screen Tests and starred in or produced many of the era’s most influential films, including Vinyl (1965) and Chelsea Girls (1966). His influence extended deeply into the music world as a creative collaborator and choreographer for The Velvet Underground during their Exploding Plastic Inevitable era. Beyond his visual and cinematic contributions, Malanga was a founding editor of Interview magazine and remains a celebrated and prolific poet. His literary sensibility is woven into his visual work, most notably in the 1967 film Bufferin, where he reads his poetry in what is deemed the longest spoken-word movie on record.

In 1970, Malanga left the Warhol Factory to dedicate himself fully to his photography and poetry, resulting in an archive that captures the zeitgeist of an effervescent cultural and historical moment. Malanga’s photographs possess an intimacy born of genuine friendship, offering a revealing and intimate look at the faces that defined the era. Indeed screenwriter and photo historian Ben Maddow has said of Malanga’s work, “He has the uncanny ability to make famous people look anonymous and anonymous people look famous". In 2024, Malanga’s lifelong contribution to the arts was internationally recognised when he was named a Chevalier of the Order of Arts and Letters by the Republic of France.